The Day I Left

I wanted to come. Wish I hadn’t now. Can see them all. Platform full of them. Pals and pals to be. I can see the people they’re with. The ones who hug. Kiss. Cry. I can see my people too. No kisses. No tears. Handshake and a hug. That’s how my people were. I’m glad. Made it seem normal. Like I was going away for work. Not going away for war.

‘Can’t beat that smell, can you, Grandad?’

‘No lad, you can’t.’

‘Better than what we’ve got now, ain’t they?’

I nod out of politeness. It’s nice of him to bring me here. A pair of socks would have been fine.

‘Do you want to go to the other side?’

‘Give me a minute here.’

‘Okay, Grandad. Just say if you need to sit down.’

I like that he calls me Grandad. Makes me feel young. Too much of a mouthful to say great.

‘Must bring back some memories, all this old stuff.’

Another nod. He doesn’t know. Can’t see what I see. No-one can. I’m the last one.

‘Could get a brew and a bun after this.’

‘Can we sit on the platform?’

‘If that’s what you’d like, it’s your day.’

‘Yeah … I’d like that.’


This fictional short story was written for a 50 Day Project organised by the artist Amanda Billing. I get 45 minutes to an hour (not the project’s rules, it’s just about the time I have right now) to write a story, sometime between 4.30am and 5.30am. After that, the day is no longer mine.

N.B. The sketch image for this short story was created using AI (at best, I can draw a half-decent stick man). The words are all mine.

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